Deception’s Slavery

Consider fleeting smiles in the shadows which cling to the feet of the most deceptive. Aladdin, as he dons his false identity, demands enslavement of all who are won by the deception. He is proud of this arrangement, of being the deceiver. He reveals the profound sickness of disdain, an apathy rooted in profound arrogance that deems moral law insignificant. Aladdin trying to survive had little to do with greed, nor cowardice, but the general resultant criminality was a spiritual inertia born of the conviction, regardless of how it arrived or how true any part of it nor how illegitimate the rules: ‘I am above you; therefore, your laws are yours and below me.’

The Lamp’s False Light

Observe well, O reader, the strange symbiosis between Aladdin and the Genie’s Lamp. The Lamp promises ostensible good—instant wealth, unchecked power, ascension to a place of light. It offers a solution so perfect it nullifies the need for struggle, for growth, for moral cultivation.

Aladdin, imprisoned for a crime born of base impulse (theft), believes that if he could only possess the Lamp’s might, he would be able to outweigh his crime. He does not seek atonement; he seeks an override. The Lamp is not a mirror to refine his character, but a lever to lift him clear of the earth where his transgression occurred. In this, he mistakes force for forgiveness, and dominion for divine mercy.

Honour (Tιρηνή in the Hellenic) is an inward constancy. The dignity of honour in humility outlasts all accolades, since true honour can only be seen in how we conduct ourselves outside the witnessing. Aladdin does not appear to possess such inner constancy.

When he fled the palace, his honour was not measured by his adherence to justice, nor by his compassion for those he had wronged (a mercy he showed none), but by his ability to avoid punishment. His spirit remained unchanged whether he stood before a thousand deceived or a solitary guard. This is the despair of the disdainful soul: they love glory when it serves them, and they loathe disgrace when it threatens them. Their character is a mask that only shifts to reflect the immediate external pressure.

The Blockage of Divine Law

This state of apathetic arrogance creates a profound blockage within Aladdin’s consciousness, a purposeful spiritual blockade against the discernment of righteousness.

A lover of God, even in darkness, maintains as much alignment with divine law as they are capable, and knows they are strengthened in the humble doing. He knows that certain actions, though perhaps momentarily convenient, are woven into the fabric of reality as threads of rupture. Aladdin, however, operates under a false dichotomy: Either someone serves his desire, or they are his enemy. He cannot reconcile his act of theft (deception, definitively wrong) with the natural state of honesty (definitively right), because he believes his temporary freedom validates all proceeding trespass.

The Lamp offers no aid here. When Aladdin calls for its power, he does not ask, “How can I restore harmony?” Nor does he ask, “What is the proper way to make restitution?” He calls only for escape. The Lamp’s and Genie’s promises of “good” is a seductive fog that obscures the sharp lines of moral truth. To him, the wishes are a magical shortcut; to the virtues-seeking lover of God, it is a trap that teaches no lessons but how to cheat reality.

The more virtuous request to the Genie would have included demands for discernment in justice and truth. Praying for material possessions is identical with Aladdin wishing to appear as a prince, the purpose is deception, in becoming what we are not, or appearing to be. If we were rewarded with the riches, then we receive them for no effort and in no part due to what we are. They are meaningless to our existence as anonymous expressions. Ultimately meaningless to our purpose in God’s plans, as well.

Beyond the Thresholds

True virtue is not found in what we are allowed to have, but in what we choose to do despite being allowed otherwise. Genuine Honour emerges when one chooses the difficult, righteous path even when unseen. It is the dignity of the man who rejects selfishness, puts others first, and dedicates themselves to servanthood, heart remaining open in constant dialogue with God. We can entrust all excesses of our time, regardless of who is in witness. You must find virtue not for your escape, but for your greater service. May true work in soul outlast the glitter of selfish, ignorant dreams.


Virtues at the Movies
Series Navigation
<< Mirage of the Princess, Aladdin’s FollyThe Godfather and the Shadowed Throne >>
  1. Mirage of the Princess, Aladdin’s Folly
  2. Of Thieves & Thresholds, Aladdin the Deceiver
  3. The Godfather and the Shadowed Throne
  4. The Dark Knight Batman Movie and False Dichotomy in the Slave/Anarchic Ideas of Honour
  5. Hamlet’s Rebellion Against Action: A Structural Virtues Theory Review of Cowardice, Courage, and the Soul’s Dance with Truth
  6. Rashomon’s Paradox of Absolutes: Structural Virtues Theory on Absolutism, Justice, and the Fragility of Perspective
  7. Michael Clayton: The Cost of Delay in a World of Corruption, Delusion, and Greed
  8. Silent Machinery of Control Through Sin: A Structural Virtues Theory Exploration of Spotlight (2015)
  9. There Will Be Blood and The Mirage of Material Wealth: A Structural Virtues Theory and Resurrexit Spiritus Exploration
  10. Rain Man and the Storm of Materialism: An Exploration in Structural Virtues Theory and Resurrexit Spiritus
  11. Shawshank Redemption and Unravelling Dependence: A Structural Virtues Theory and Resurrexit Spiritus Demonstration
  12. Amadeus and a Near Triumph of Loyalty Over Envy: A Structural Virtues Theory and Resurrexit Spiritus Demonstration